Tuesday, October 13, 2009

Visual Experimentation with Identity Images




This is just an experimentation of the combining the identity images and looking which one works best to my concept.
Is it better to cut up the images and using the flash file, the user can interact and view the whole image when they mouse over it. With such a simple technique there is another unique identity created.
or is it better to combine them by manipulating the images? and another unique identity is created.


New Project Concept

So I've decided to go to the online collective art direction, where the perspective of identity is not from me, but from various artists around the globe. Similar to wefeelfine.org, where it collects sentences with the keyword 'feel' and organise them according to feelings, gender, location, etc. The new concept is to collect works of art, with the keyword 'identity'. They are then organised into different visual category and then broken down into individual artists and their interpretations of 'identity'.

Tuesday, October 6, 2009

Collective Art

My project concept is looking at the multiple identities of a person in terms of relationships (look at my previous post). It doesn't have anything to do with the idea of collective art.

However, the idea of an online collaborative art is actually quite good, so I decided to do a little research about it and found a few articles about it.

Online Collaborative Art and Art Mobs which talks about the use of the world wide web technology of creating artworks compiled from people all around the world and whether it works.

the 'Art Mobs' article talks about how collaborative art works well with alphabets, but so much with complex images or pictures. This is probably because of the different perspectives of images from different people. For example from my previous post about collective art, 'the smaller pictures', simpler images such as a 'heart', which has one common symbol that is internationally known, works better than a 'telephone', which has multiple icons representing it.

From researching about collaborative arts, I found that the most successful ones are the ones that are controlled. The Bluesfear Worm is one example of this, where each artist registered themselves in order to be able to contribute to the 'worm'. Another successful artwork similar to the 'Bluesfear Worm', taking it to another level, is the Zoomquilt1 and Zoomquilt2. I suggest that you view the flash file. The first time I looked at the flash file, I couldn't figure out how each person contributes their images. However, If you click on one of the participant's image, you'll see how it's done.